Writerly Ways
May. 20th, 2012 03:00 pmWhether you’re in Stephen King’s ‘let it spin’ camp or a follower of those who meticulously outline everything in a novel, however you come to your plot, there has to be a plot. I just finished the tenth Sookie Stackhouse book and it’s a perfect example of what happens when a plot is weak or almost non-existent. In my review of the book, I picked out ten subplots and even more minor ones but without one unifying theme, the whole novel was a meandering mess.
I love a subplot, don’t get me wrong but you need at least one plot that unifies the book. In my last FMA big bang, I worried about that, grasping to get that plot in there (same thing with the follow up story I have in mind). Luckily for me, most of my novel idea come with some sort of back bone to hang the meat on.
I’ll admit, sometimes dealing with the character development and interaction leads me away from the main plot. I’ve worried about that especially in Voluntary Nightmare. I think the trick there is to have a least some tidbit that tethers the scene to the main plot.
Conflict is one of the things that drives most plots. It can be something overwhelming like a war to something as minor as self doubt before going out on the date. There is something the protagonist has to over come. Even with good conflict, if it doesn’t propel the story along, it’s not that helpful (points back to the above mentioned Sookie book. There was plenty of conflict but it didn’t hang together in any meaningful way).
I’m more of a ‘let it spin’ type but I do take notes on where I’d like the plot to go (then I usually forget what I named the file but that’s another story). I’ve also taken to writing down plot ideas and keeping them for later. So regardless of how you get to your plot, you have to have one. A story is more than a collection of scenes. They have to lead us somewhere.
Yearly count -
36679 / 75000 words. 49% done!
Editing – I edited everything I saw I would but Ties that Bind but we can blame the latter half of the week being nothing but doctor’s appts.
Writing new stuff – Made a little progress on Until the Ice Breaks, Kept Tears and Voluntary Nightmare.
I love a subplot, don’t get me wrong but you need at least one plot that unifies the book. In my last FMA big bang, I worried about that, grasping to get that plot in there (same thing with the follow up story I have in mind). Luckily for me, most of my novel idea come with some sort of back bone to hang the meat on.
I’ll admit, sometimes dealing with the character development and interaction leads me away from the main plot. I’ve worried about that especially in Voluntary Nightmare. I think the trick there is to have a least some tidbit that tethers the scene to the main plot.
Conflict is one of the things that drives most plots. It can be something overwhelming like a war to something as minor as self doubt before going out on the date. There is something the protagonist has to over come. Even with good conflict, if it doesn’t propel the story along, it’s not that helpful (points back to the above mentioned Sookie book. There was plenty of conflict but it didn’t hang together in any meaningful way).
I’m more of a ‘let it spin’ type but I do take notes on where I’d like the plot to go (then I usually forget what I named the file but that’s another story). I’ve also taken to writing down plot ideas and keeping them for later. So regardless of how you get to your plot, you have to have one. A story is more than a collection of scenes. They have to lead us somewhere.
Yearly count -
Editing – I edited everything I saw I would but Ties that Bind but we can blame the latter half of the week being nothing but doctor’s appts.
Writing new stuff – Made a little progress on Until the Ice Breaks, Kept Tears and Voluntary Nightmare.