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[personal profile] cornerofmadness
It's late somehow. I spent the day on the diabetes rollercoaster starting out at 350 and staying there until suddenly I was 80 at 5 pm. So I'm tired. I'm groggy. I'm not going to have much energy for writing thoughts today but can we talk about call backs.

Do you do them? Do you like them? I have not used many and I like them well enough. This is front of mind for two reasons. At my book club thing, one of the ladies was talking about what she hated about the indie book she had was it was forced call backs done badly. She said she liked call backs but this one went on and on. And without spoilers, The Amazing Digital Circus had a massive and wonderful call back. Everyone was praising the foreshadowing of that.

But I'm also thinking...was it? What if they just simply rewatching/reread earlier stuff and thought hey, you know what... ha. (that would be how I'd end up doing it)

Open Calls


The Cookout Anthology Science fiction and fantasy stories by Black authors from the African Diaspora, centering on the beloved traditions of the cookout: the joy, drama, and delicious food! - Fantastic pay on this one my friends if you're in the target group.

Sinister Scales Anthology Reptiles featured prominently in the story Genre: Science fiction and fantasy

BloodClot!Zine Revolution including personal, social, technological, and spiritual upheaval Genre: Speculative fiction, literary fiction, poetry, and personal essays - Also only open to people of color

WERE-2 Creative stories centered on were-creatures other than werewolves Genre: Primarily urban fantasy, but science fiction, fantasy, steampunk, and other speculative genres are welcome - Another pro rate pay. This one I hope to try for (look at the anchor authors)

Goblins & Galaxies Magazine Adventure driven stories featuring sword and sorcery, dark fantasy, or science fiction elements

84 Opportunities for Historically Underrepresented Writers (March 2026)



From Around the Web

9 Tips for How to Write Dark Stories Responsibly (And Make Hope Feel Earned)

Genre as Delight, Not Dictator: How Learning About Genres Helps You Write Better

The Most Important Lesson I Learned After a Decade of Writing



From Betty


What Is a Throughline in Writing?

Seven Ways to Clarify Critical Information

Is Your Subconscious Messing with Your Writing Identity?

Awaken Your Creativity

We Become the Stories We Tell Ourselves

The Greatest Feeling

From Idea to Page: The Journey of a Romance Novel.

How Fear Shrinks Your Character’s World Over Time

Coping Mechanism Thesaurus: Catastrophizing

YouTube for Writers, Part 7: Why Captions Matter and How to Use Them

here.

Before You Share That Post: A Writer’s Guide to Verifying Information and Building Trust Online (Part 2).

The Facebook Copyright Hoax Is Back: Why Writers Must Verify Before They Share (Part 1)

The Power of Goal Setting for Writers: How Clear Goals Help You Finish Your Book

Why Author Newsletter Replies Matter (and How to Get More Reader Responses)

Finding The Heart of the Story

Stuck: Further thoughts on Pride and Prejudice.

Date: 2026-03-23 09:00 am (UTC)
dr_zook: (Default)
From: [personal profile] dr_zook
Ugh, sorry to hear about the diabetes roller coaster. It sounds so very exhausting!

Date: 2026-03-23 10:46 am (UTC)
barbaratp: https://sheliak.dreamwidth.org/125518.html (Default)
From: [personal profile] barbaratp
Espero que essa oscilação diabética cesse e você não fique mais tão cansada. Melhoras.

Nossa às vezes as referências nem são a outros livros, mas a coisas que nicho muito específicas que só funcionam naquela época. Um autor quando cria um texto tem que usar um apêndice explicando certas coisas ou escrever de forma que o texto possa ser lido em outras épocas. Nisso às vezes tem referências a livros. Uma coisa é falar que seu personagem leu ou gosta de determinado livro famoso, ou que se assemelha a personagem x de outra obra. Outra bem diferente é citar partes dele ou livros desconhecidos que ninguém teria acesso. Clássicos nunca são um erro de serem citados só para deixar claro.

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