cornerofmadness: (Default)
[personal profile] cornerofmadness
I've been thinking about how to convey complex emotions in fiction. How do you all approach it? It's often more than one feeling/action that we should see. I'm thinking about it for a few reasons today 1) I'm having the weird symptoms again, feels like asthma but isn't. Is it GERD? Is it my heart? This is when I should go to the urgent care to be checked out and there is all the emotions, the 'you're blowing it out of proportion' you're too busy' the I'm afraid it is something serious, the I'm afraid of wasting time, the is this just anxiety?

That is a lot to try to communicate in a character without bogging down the narrative.

Also thinking about it when I opened FB this morning to see my friend's halloween party was yesterday which is why none of my steampunk friends were at the thing yesterday. Oh. I didn't get an invite. I'm not mad but I am disappointed, a little sad, again with the complex emotions. How would I convey this in a character? Me not being invited wasn't malicious. He usually just puts up the invite in the chat/on his FB and that is SUCH a broken forum. I didn't see it, didn't get a notification. I put up the query earlier in the week to the group about yesterday's thing but most of them probably didn't see it either. (one of the ones who usually goes to the party did say she'd meet me at the winery but that was the last I heard so possible she didn't get an invite or didn't remember) So there's the complex emotion of disappointment, the sadness and being left out, the annoyance that I didn't think to check because I KNOW when it is yearly.

FB gave me more complex emotions today as well. The person heading up Rainbow Snippet a weekly group I've been active with for years, died last week. When I went to look for the weekly post last week there was no new posts showing. Today I go back as well to look for the post and found out that were posts saying she had died. Here I come in a week late and a dollar short with sympathies. So the complex emotion here is guilt-annoyance -sadness which feels different from the similar. Emotions are strange and hard to write.


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Date: 2024-10-08 12:45 am (UTC)
duskpeterson: The lowercased letters D and P, joined together (Default)
From: [personal profile] duskpeterson

"So there's the complex emotion of disappointment, the sadness and being left out, the annoyance that I didn't think to check because I KNOW when it is yearly."


"Darn it!" he said, hitting the table with his fist. "I should have done this before!"

Feeling disappointment sicken his stomach, he turned away, his head hanging low. It didn't matter, really, did it? There were other ways to meet people.

His thought sounded unconvincing, even to him.

Date: 2024-10-08 02:42 am (UTC)
duskpeterson: The lowercased letters D and P, joined together (Default)
From: [personal profile] duskpeterson

Thank you. That was the result of my forwarding your "prompt" to my Muse. I'd never before sent him a challenge like that.

Date: 2024-10-08 12:51 am (UTC)
prettyarbitrary: Fuzzy Cthulhu plushy (Default)
From: [personal profile] prettyarbitrary
How I communicate a character's emotions depends, really. Sometimes I'll just outright state them. Sometimes I'll focus on the sensations that go with it--the hot cheeks and desire to squirm of a bad case of embarrassment for example. Sometimes it'll include both.

When I do which depends partly on whether the character themselves realizes how they feel. A character who is in denial isn't going to come out and admit they're happy to see their friends together but also kind of jealous. They don't know that about themselves. So they might think about how they're happy for them and then wonder why they aren't feeling all that cheerful today, or they may keep looking at everything but the happy couple. Or maybe someone else comments that they look a little down for some reason.

Sometimes I'll use their perspective to steer the reader's POV. If the POV character is looking at everything but the happy couple, maybe I'm telling the reader about the fancy details on the cup they're holding, and how intently they're listening to the hum of the microwave running, and oh they'd better get their umbrella out of the car when they go to the grocery store, it's probably going to rain later, sorry, what was that you were saying? Oh her smile is so bright every time she looks at him.

It really is a nice cup.

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